Propp's Narrative & Character Theory

PROPP'S NARRATIVE THEORY:

1.    A member of a family leaves home (the hero is introduced as a unique person within the tribe, whose needs may not be met by remaining) 

2.    An interdiction (a command NOT to do something e.g.'don't go there', 'go to this place'), is addressed to the hero; 

3.    The hero ignores the interdiction 

4.    The villain appears and (either villain tries to find the children/jewels etc; or intended victim encounters the villain); 

5.    The villain gains information about the victim; 

6.    The villain attempts to deceive the victim to take possession of victim or victim's belongings (trickery; villain disguised, tries to win confidence of victim); 

7.    The victim is fooled by the villain, unwittingly helps the enemy; 

8.    Villain causes harm/injury to family/tribe member (by abduction, theft of magical agent, spoiling crops, plunders in other forms, causes a disappearance, expels someone, casts spell on someone, substitutes child etc, commits murder, imprisons/detains someone, threatens forced marriage, provides nightly torments); Alternatively, a member of family lacks something or desires something (magical potion etc); 

9.    Misfortune or lack is made known, (hero is dispatched, hears call for help etc/ alternative is that victimised hero is sent away, freed from imprisonment); 

10.  Seeker agrees to, or decides upon counter-action; 

11.  Hero leaves home; 

12.  Hero is tested, interrogated, attacked etc, preparing the way for his/her receiving magical agent or helper (donor); 

13.  Hero reacts to actions of future donor (withstands/fails the test, frees captive, reconciles disputants, performs service, uses adversary's powers against them); 

14.  Hero acquires use of a magical agent (it's directly transferred, located, purchased, prepared, spontaneously appears, is eaten/drunk, or offered by other characters); 

15.  Hero is transferred, delivered or led to whereabouts of an object of the search; 

16.  Hero and villain join in direct combat; 

17.  Hero is branded (wounded/marked, receives ring or scarf); 

18.  Villain is defeated (killed in combat, defeated in contest, killed while asleep, banished); 

19.  Initial misfortune or lack is resolved (object of search distributed, spell broken, slain person revived, captive freed); 

20.  Hero returns; 

21.  Hero is pursued (pursuer tries to kill, eat, undermine the hero); 

22.  Hero is rescued from pursuit (obstacles delay pursuer, hero hides or is hidden, hero transforms unrecognisably, hero saved from attempt on his/her life); 

23.  Hero unrecognised, arrives home or in another country; 

24.  False hero presents unfounded claims; 

25.  Difficult task proposed to the hero (trial by ordeal, riddles, test of strength/endurance, other tasks); 

26.  Task is resolved; 

27.  Hero is recognised (by mark, brand, or thing given to him/her); 

28.  False hero or villain is exposed; 

29.  Hero is given a new appearance (is made whole, handsome, new garments etc); 

30.  Villain is punished; 

31.  Hero marries and ascends the throne (is rewarded/promoted).

PROPP'S CHARACTER THEORY:

Vladimir Propp developed a character theory for studying media texts and productions, which indicates that there were 7 broad character types in the 100 tales he analysed, which could be applied to other media:

1.   The villain (struggles against the hero)

2.   The donor (prepares the hero or gives the hero some magical object)

3.   The (magical) helper (helps the hero in the quest)

4.   The princess (person the hero marries, often sought for during the narrative)

5.   The false hero (perceived as good character in beginning but emerges as evil)

6.   The dispatcher (character who makes the lack known and sends the hero off)

7.   The hero [AKA victim/seeker/paladin/winner, reacts to the donor, weds the princess